By Camila Durán
As Eric Hobsbawm says in Fractured Times. Culture and Society in the Twentieth Century, the twentieth century was, fundamentally, the time of manifestos. The Futurists inaugurated it. In 1909 they published in Le Figaro, in France, a declaration of principles in which they proposed a new way of understanding art. For example, conceiving art as a space of boldness, rebellion and challenge. Or propose that in art there is no greater beauty than that of struggle. The art manifestos that followed are innumerable. Surrealism, Dada, Fluxus and the major avant-gardes all had their own list of what art should be like.